Still (from 'The Conversation') uses individual frames from the seminal 1974 sound focused film, The Conversation, as a way to explore drawn sound. Still asks questions such as, how can mark making be used to describe a sonic event when sound is only knowable as a discreet event, when it is no longer audible? Drawing holds time differently than a snapshot. What happens when two different representations of time are combined?
2019 Papier (Montreal, Canada), 2017 Christie Contemporary (Toronto, Canada)